Malang Movie review : A Best Love Story Of Two Teenagers Met On Goa Beach

 Malang Movie review : A Best Love Story Of Two Teenagers Met On Goa Beach

Image credit : (news18.com)

Two teenagers, Advaita (Aditya Roy Kapoor) and Sara (Disha Patani) fly sparks collide with each other at a party in Goa. The two were separated, the family had no trouble and had a lot of money. The two want to live in the moment, take drugs, take part in adventure sports and have some free sex. Because their many characteristics are similar, they decide to do these things together, pushing their boundaries in the process. That’s a sign when things seem bad, when things start to go bad. She becomes pregnant and the couple has had a negative turn ever since. A few years later, a mysterious stranger confronts the police. Maverick encounter specialist police inspector  and straightforward Special Cell soldier Michael (Kunal Khemu) try to pile up the bodies.

Director Mohit Suri tried to tell about the submissions of the characters, all of which are not ordinary. Anil Kapoor appeared in the drug-snorting, trigger-happy coop with fetish for old Asha Bhosle number Anamika tonight. Kunal Khemu is getting married happily, Aditya Roy Kapoor and Disha Patani have revealed their secrets. The film is shown as a thriller and the police secretly choreograph the parts that follow the killer. The whole Goa drug vibe and 24/7 party culture are exaggerated visions of the original but set the mood of the movie. The film has a non-linear narrative and the director Suri is well-established in romantic relationships, displaying a non-reckless image. Aditi and Disha's toned bodies hum in the background as the songs hum. He makes mistakes when he establishes the secret element. The screenplay gives you one by one and after a while you get a sort of zonable status. When it comes down to it, the turn is over, so it's not as impressive as it should be.

There is not much scope to act for both leads. They do nicely for a beautiful looking couple and accentuate them in lovely romance. Anil Kapoor once again gives his all in a role that needs to go out. Her power is truly to be admired at her age. Kunal Khemu is given an attractive character arc, but he tries his best to rise above it.

All-in-all, Malang is a flawed but entertaining product and especially loved by fans of SlashFlix. The full explanation for why he is hostile is completely shambolic. A little more attention in writing turned it into a better product.

watch trailer now

 

 Like the non-linear malong, I don’t know where to review it. Its storyline, narration, characters, climax and twists and turns are pretty much a mix and honestly, too much to take at once.

Malang starts with a high-voltage fight sequence and soon goes into the Aditya Roy Kapoor murder trap; The flashback we know with the love story of Aditya and Disha Patani; Cut to the point where he kills the police again today; And Dham, we're back to the past. A series of events appear to reveal the climax. Yes, it is very high order, in which this film tries to invest you.

Director Mohit Suri, who has previously acted in Kalyag, Aashiqui 2 and Ek Villain, frequently mentions his previous writings. While the film supports some serious performances of Aditya, Anil Kapoor and Kunal Kemmula, its layered-thin storyline makes you wonder why such films are still happening in Bollywood. Malang is very bad in parts, it gives you a headache. Its length knocks it down and at first it feels like a tricky plot, it soon becomes dull.

Set in Goa, the film shows Advait Thakur (Aditya) and Sara (Disha) meeting at a party and falling in love instantly. Advaita is a shy boy from Mumbai, Sarah is a religious woman who recently came to India. She has no phone, no social media, and has a list of things to overcome her fears. Soon they decide to count every moment and live life to the fullest.

However, an encounter with the police changes their destiny and the story turns into a revenge play. As Advaita gets into the murder trap, we meet Anjani Agashe (Anil Kapoor) - the trigger-happy cop who hopes to end the case with his gun - and Yin gets his yang, book-poll cop Michael Rodriguez (Kunal Kemu). After a while, everyone is killing everyone and that’s about it.

The first half raises anxiety and if Aditya wants to know the reason for targeting the police, the second half takes away the opportunity. Not to mention that the two big revelations are also big, big. Thirty minutes into the picture and you can easily imagine what is going to happen next. Non-linear fiction does no good because the time to be covered is only five, so you can’t really tell if the characters are in the present day or not.

What to do with stereotyping for Goa’s only destination about drugs, parties, murders and recurrences. The innovative thing about the whole film is that every time there is a scene with drugs - 'Don't be mad, drugs destroy the mind', 'Drugs road to death', 'Drunk fire' karde aadmi aur parivaar ',' Drugs make you more than money Spend ',' Slaves do not age, Young die '.If there is anything to save this sinking ship, it is performance. Kunal not only impressed but also surprised Malang. He effortlessly slips into the skin of his character and you like watching him on screen. She was sharp, beautiful looking and terrible. As a senior police officer, Anil is good but not unusual. He brings a good balance between over-the-top and the above.This is a great example of how Bollywood struggles to create a storyline that is important to every thread. Malong starts only after the break, and then from get-go, mostly deployed cops are deployed, releasing men with twisted sex and having nasty women on the prowl.

Although the first half was in vain, it gave us so many opportunities to ogle with a jaw-dropping waist-hip ratio on a famous woman. In addition to being eye candy, Sarah (Patani) wants to tick objects from a flower-baby, bucket-list, experimenting primarily with abundant drugs and free sex. Govan rave parties and swim around the beautiful beaches when he does not close with men with hot men. Advaita (Roy Kapoor)'s buff and bare chest are also doll-worthy. Between these two long trails, a series of murders take place, looking at each other, leaving a powder-sniffing cop (Kapoor) and a clear companion (Khemu) to search for the killer. Huh.

Mohit Suri’s film universe is regularly darkened and distorted and his characters in his best works are very catchy and interesting.Things will be taken up in the second half. Khemu, who always plays, makes an impression, especially in his scenes with his troubled wife, played by Khanwilker. And Kapoor, who adds tiring pain to his uncontrollable character, looks at you, branding the gun in the bathroom-mirror you are talking about, you are in the U-talking-to-your variant, not really sticking.This part of Malang is slow and fast and crazy, it was once a Bollywood staple, it was a clumsy movie, and you want it to be a whole movie.

In his two most successful films, Aashiqui 2 and Ek Villain, director Mohit Suri gave a love story to the audience and sang songs that did not hum anyone. That priceless cocktail somehow managed those mediocre images.His new thriller Malang has a love story and some good songs. Truth be told, there are also some interesting ideas. But those thoughts never come together; They get lost in a film that is more interested in surface level things.

Advaita (Aditya Roy Kapoor) and Sara (Disha Patani) meet in Goa. They are young, they look beautiful, they are looking for freedom and adventure. How long before they get ided with bodies? By the way, these bodies are in stunning shape and Vikas Sivaraman camera admires every curve, every muscle with a single love towards the beautiful beaches of Goa.

However, the film is unlikely to make a big splash for Goa tourism. The Malang world is dark and distorted, and Suri beaches show the state as a huge vassal state with widespread corruption in drug use, frequent brutal murders and police forces. Think of it as a heartbreaking opponent.

The romance between Advaita and Sara is a string of bad things that happen. Body Count highlights the attack on the killer and tells him to do things through a cocaine-sniffer, Agashe (Anil Kapoor), a senior cop who doesn't care much about the rules, and Michael (Kunal Kemmu), a favorite righteous man.Twist able retractable or distant in Malang. This movie trailer has a big reveal so you can watch it from a distance. The second is described as "a little". Suri is interested in the concept of revenge, liberation and especially masculinity. It reveals an interesting and adventurous character, but there is little room for complexity in Malang‌, so the idea is finally over.

The film is on the cast on what they do best. Aditya Roy Kapoor, who shows his chest refusing to stay in the shirt, has a lot of chances to bend his piercing pecks. Disha Patani has sported her perfect toned figure. Kunal Kemmu has some interesting moments, especially the scenes with the wife played by the faithful Amrita Khanwilkar. But hopefully it was Anil Kapoor who was ridiculous. As a frontman who is always on the edge, the actor is deliciously exceptional, effectively expressing his inner anguish even when needed.

Malang is about 2 hours and 15 minutes long. Unrelated plots do not justify pleasure. There were a few moments that worked, but in the end, I wanted to lie down at home on my couch without wasting my time on the floor. I’m going with two out of five.