Meel Patthar Movie Review : Brilliant Flashes Of Insight Make This a genious Milestone
The two main characters of Ivan Eyre's landmark are Ghalib and Pash. The former is a truck driver who suffers from the weather, he has been on the road for a long time, he is not overly optimistic about anything. The second is that there is no reason to believe that he has a bright future in the industry, which is notorious for his innocence, broad-minded young man, business expenses, police pay, workforce dissatisfaction and vehicle maintenance.
Neither of them is a poet. But the names they answer tell us more about this well-crafted life table, which is in constant motion and yet anything consistent, consistently made. Gaya blended into the canvas.
This multi-layered multilevel film captures so powerfully the personal struggles of its characters that it depicts expressions of the social strangeness inherent in their existence. Rhyme with Mile Pathar poetry. However, the pain of this film is subdued by the natural nature of the hero call to the lyricist.
Galib is fully aware that he has no authority over the road he owns and that there will be no spring to uplift after another winter of discontent, and the young man below his separation sees him. His track record behind the wheel is second to none.Ghalib, in a wonderfully written scene, impresses with his impressive pash (former passion, citing passion as the source of inspiration for the profession) that no one will do anything selfless. . Everything we do and choose to see is profit, guided by experienced trucker philosophers. He pauses with his cynic flow. From a distance, even a shadow looks like water, he says.This one line, like many others, is scattered throughout the film, capturing the delicate soul of Mille Pathar. It is very simple, and develops quietly in the manner of a laborious and metering poem. Presented in the orthogonal section of the ongoing 77th Venice Film Festival, the film inspires humanism from every evil, because we do not want to pause our misery.
The Mill Plateau is a lament to a world where we have ceased to listen to each other. His best friend and longtime colleague never stopped a street urinal at a traffic signal after a drunken altercation with a neighbor in a residential apartment block with a flat in Galib. But begging for money. . We know he's there, but we pretend he's not, the friend admitted.
Ghalib, a consistent-rock actor played by Suvinder Vicky, has a lot of flaws in his face and eyes that will last a lifetime, playing that character. He is the star driver of a company that has completed 500,000 kilometers. But there is very little about this man-moving character-study milestones, much more than this man can remember.He hails from a village in Punjab, though there are no sources that his ancestors helped him to build and build his own house in Punjab. Her displacement and sharpness of loneliness, which affects not only her but everyone in her class.Dust traveling on roads and gravel roads covers every aspect of its existence. He has no clear control over coming and going. When we first saw him in his house, the envelope he had raised at the door had a layer of dust on it. The dining table is the same.
In his village - where Ghalib was called to conclude a compensation agreement with the family of the deceased wife - an elder informs him that the new road to his farm has been completely paved and that he is now on his way to sit in the truck. When this happens, he responds coldly, not surprising the person who has no floors to ask.
Ghalib, the company that arrives one night to pick up the goods for delivery, the only spirit in the warehouse, the man with the broken arm, says the venture has gone under and is going to be its final consignment. Another of their destinations, part of a liquor store, is on the site of a musical instrument shop that Kaput visited.
The stories of the crisis in this minimalist film are filled with eloquent moments that fill the consciousness after a long period of the film. Galib is suffering from back pain due to winter heat - a metaphor for life on the road gave him a ‘gift’.
It will only get worse when we reduce the Peking Order and go public with Ghalib’s life. The film releases information in droplets, but every little detail it offers is a bright piece of interior, large fabric. When we never left our village in Sikkim with Ghalib's dead wife, it was a trade unionist (played by poet-activist Amir Aziz) who led the loaders' strike at Ghalib's transport company, talking about crops. The village (in eastern Uttar Pradesh or Bihar, passing through the man's lingo) is washed away by the floodwaters.
Ghalib's Kashmiri neighbor (Pavithra Mattoo) is reminded of the daily chic of clearing snow from around his home in the valley at the peak of winter. She is now isolated and, like everyone else in the film, is struggling for adjustment. Yes, everyone, at least Ghalib's old colleague Dilbagh (Gurinder Makna) was fired by the employer's son (Akhilesh Kumar), who lost his life due to his failure.
Galib stands to lose his life - and fate chooses for him when he is asked to learn the interesting Pash (Lashveer Saran).
Ghalib, who saw the fate of Dilbagh fainting, feared that he was the man to face the ax.
Constant conversation defines Ghalib’s life. A stiffness in the back that he suffers when standing up for workers predicts a painful proportion. But he does not consider it an excuse to surrender. He could not stand. He thinks it is unfair to blame him entirely for his wife's death, but he agrees to pay compensation to his brother - in - law (Gaurika Bhatt) and his father. The panchayat will give Galib a month to resolve the funds.
Stopping for a month's work is like a lifetime for a man on the line. His fears and misunderstandings filled the film with amazing insight into the human condition, making Evan Air’s second film a real milestone, a fitting follow-up to Sony.
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